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4 min read•june 18, 2024
Nathan Wichert
Nathan Wichert
Painting, sculpture, music, literature, and other arts are often considered to be the repository of a society’s collective memory. Art preserves what fact-based historical records cannot: how it felt to exist in a particular place at a particular time.
Street art and graffiti originated as a way of expressing discontent and creating awareness of socio-political issues on a local, communal level, ultimately becoming an essential part of the global visual culture.
The art of stenciling, poster art, and wheat pasting, now some of the most common and popular street art techniques, developed from European revolutionary politics and were used by those in power to communicate political propaganda, as well as those who resisted, spreading the opposite ideas. In order to understand street art in a local context, you need to understand the socio-political setting in which it was created.
The Berlin Wall started as a barbed-wire fence and evolved into 14-foot-high concrete walls in the 1980s. These monstrous walls quickly became a canvas for those in West Berlin to express their opinions and show everyone else what they stood for.
The Wall quickly flourished on the West side, while the East side remained blank. In former East Germany, there was unfortunately no such thing as artistic expression. The Wall quickly became a marker of social and cultural differences between separate societies. This all changed in 1989 with the fall of the Berlin Wall. The city was officially reunited and became one again on October 3rd, 1990. At this point in time, the entire city of Berlin became a playground for artists coming from both sides and the street art scene thrived in the atmosphere of newly found freedom.
Once the Wall collapsed and people were free to go from one side of the city to the other, the artists did just that. Artists from all over Berlin, Germany, and the world marched into the former East and began turning the fading, decrepit, gray buildings into amazing, vibrant art districts.
Art curator Sonia Voss displayed a new collection of photographs from former DDR at a 2019 photography festival in France. The images span the last decade before the Wall fell and focus on teenagers. The subjects of the photographs and the photographers themselves were not around when the DDR was first established.
"These were young people who were very detached from political ideas, but somehow just as tired and furious about the constraints that they were living with, which made them more likely to break the norms or push the limits compared to previous generations."
Art, in a sense, is communication; it allows people from different cultures and different times to communicate with each other via images, sounds, and stories. Art is often a vehicle for social change. It can give voice to the politically or socially disenfranchised. A song, film, or novel can rouse emotions in those who encounter it, inspiring them to rally for change.
das Kunstwerk | work of art |
die Ausstellung | exhibition |
der Hintergrund | background |
der Vordergrund | foreground |
die Landschaft | landscape |
darstellen (stellt....dar) | represent |
der Stil | style |
ausstellen | to display, exhibit |
der Künstler | artist |
das Graffiti | graffiti |
spritzlackieren | to spray paint |
die Farbsprühdose | spray paint can |
das Atelier | studio |
die Inspiration | inspiration |
beliebt | popular |
berühmt | famous |
realistisch | realistic |
die Fantasie | imagination |
die Kunst | art |
die Art | kind, type |
das Gebäude | building |
das Monument | monument |
die Wand | wall (in a house) |
die Mauer | wall (Berlin Wall) |
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